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CONTACT We are an optics rental company for the film industry. We specialize in spherical, anamorphic and unconventional filters. Santiago (Gaita) Count Leonardo Hermo Jose Maria Hermo Mail info.opticas78@gmail.com

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Set Cooke Panchro S2 The cream of the cream Regarding old optics, they are the Cooke Speed Panchro, a generic nomenclature that serves to accommodate both the series made up of Cooke S2 optics (with designs from the 1930s) and Cooke S3 (designs from the 1950s). And it is that many surviving games contain optics of both series, since of the S3 series only an 18mm and a 25mm were manufactured, so that all the focal lengths except these must be completed with the S2 series. Originally, the sets came with an Arri Standard mount, but the best way to use them today is using series rebuilt by Century Optics or Van Diemen, with PL mounts and mechanisms (focus rings and diaphragm) similar to those of modern optics. The images produced by these series can vary greatly depending on the different focal points that make them up, but in general one can expect enormous softness, warm colors and many spectacular sparkles, bearing in mind that there may be notable differences within a same game in terms of tonal reproduction, sharpness, resolution and contrast that affect the consistency of the images of a project. Of course, their aberrations and "flaws" are magnified at maximum aperture, where they can offer an image of distortions reminiscent of anamorphic. So for any project that needs high consistency or great image quality –a priori– they don't seem like the most suitable games; On the other hand, if you are looking for an organic, vintage or old-fashioned image, or even favor actors/actresses with lenses that offer a very natural diffusion or softness, the Speed Panchro is a more extreme version of the subsequent Cooke creations and could turn out wonderful. Movies shot with Cooke Speed Panchros Marie Antoinette (Marie Antoinette, dir. Sofia Coppola, DF. Lance Acord) An Education (Life Teaching, dir. Lone Scherfig, DF. John de Borman) Spartacus (Spartacus, dir. Stanley Kubrick, DF. Russel Metty) A Clockwork Orange (A Clockwork Orange, dir. S. Kubrick, DF. John Alcott) Midnight in Paris (Midnight in Paris, dir. Woody Allen, DF. Darius Khondji) 12 Monkeys (12 Monkeys, dir. Terry Gilliam, DF. Roger Pratt). Return

Rental de lentes y filtros vintage para la industria cinematográfica y publicitaria. Accessories Cámara Sony Modelo CCD -TR416 Handycam Video 8 x Sensor: 35mm ALEV III CMOS LF (4448 x 3096) Formato sensor: 4:3 / 16:9 / 6:5 / Open Gate Resolución: Hasta 4,5k Alta velocidad: Hasta 90fps 2k Sensibilidad: EI 800 Nativo Montura: LPL y PL Peso: 2.6kg (sin visor ni lente) Latitud: 14 STOPS Formatos: ARRIRAW, ProRes Videos Tokina Expander 1.6 SONY FX6 • 4K FULL FRAME SENSOR • 15+ STOPS OF DYNAMIC RANGE • RECORDS 4K UP TO 120 FPS, HD UP TO 240 FPS • CAMERA BODY WEIGHS 2 POUNDS • COMPLETE TILTA CAGE, WITH V-MOUNT AVAILABLE • MANY LENS MOUNTS AVAILABLE INCLUDING, PL, E, NIKKON, CONTAX NX Tokina Expander 1.6 SONY FX6 • 4K FULL FRAME SENSOR • 15+ STOPS OF DYNAMIC RANGE • RECORDS 4K UP TO 120 FPS, HD UP TO 240 FPS • CAMERA BODY WEIGHS 2 POUNDS • COMPLETE TILTA CAGE, WITH V-MOUNT AVAILABLE • MANY LENS MOUNTS AVAILABLE INCLUDING, PL, E, NIKKON, CONTAX NX Videos tiffen close up lenses 4.1/2 1,2,3,4 KOMODO 6K es el último producto revolucionario de la larga línea de tecnología innovadora de captura de imágenes de RED. El participante más nuevo en la línea RED es una cámara de cine compacta y muy potente. Cuenta con la calidad de imagen de grado cinematográfico, la ciencia del color y la tecnología de sensores de RED en un factor de forma portátil para que los usuarios puedan llevarlo a cualquier lugar y adaptarlo a cualquier escenario de disparo. 6K Super 35 27.03 x 14.25mm (6144 x 3240) Global Shutter Full-sensor up to 6K 40 fps 6K WS at 50 fps 4K at 60 fps 120 fps at 2K

Telephoto Century Return

Cooke S2 set Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 24mm F/14 Full Frame / Vista Vision Ø* PL, EF 470mm 20mm N/A 7 27 Elements in 19 Groups Anodized Aluminum None (passive) 1.3' 1 lb. Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Opening T2.8-22 Weight | kg 5 minimum focus 30cm Size 25cm Diameter 114mm Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Return

GL Optics Leica R Super Speed Base Lens: Leica R 19mm T2.8, 28mm T2.8, 35mm T1.4, 50mm T1.4, 80mm T1.4, 135mm T2.8 Extended 330 degree focus rotation accept 19mm Stainless steel PL mount All lenses cover 8K sensor Full frame, VV 95mm diameter of front Lens ring 77mm inner threading 6063 aluminum rehoused Lens body Re-designed Lens focus/aperture system 0.8module Gears Return

Telephoto Century Return

Play Video Play Video Opticas HCM La Verdad (Tele Century 1200) LA VERDAD Productora: Baraka Cine Directora: Paula Luque Director de Fotografia: Marcelo Iaccarino Se utilizó el Teleobjetivo Cemtury 1200m (http://opticashcm.com.ar/?page_id=208) Play Video Play Video Santiago Cantillo A PUNTA DE ESPADA - DUKI Guión y dirección: Alvaro Stocker Producido por: Francisco Navarro y Tomás Medero Dirección de Fotografía: Santiago Cantillo Dirección de Arte: Magui Peralta Vestuario: Weekend Studio Make Up & Pelo: Chechu Bukovac y Rocio Marrodan Diseño de Sonido: Nacho Gulias (Oiga Musica) Asistente de Dirección: Lucas Galambos Gaffer: Kato Aramburu Eléctrico: Juan Laureano Garay Eléctrico: Orlando de la Torre Key Grip: Gerardo Wielandt Steadycam: Joaquin Silvatici Foquista: Vanina Falcone Segundo de Cam: Ramiro Diaz Guzman Asistentes de Arte: Rocio Roitman y Alfonso Llach Casting: Caemos Casting Dirección de Actores: Camila Peralta FX: Piromania FX Continuista: Juan Fatur Asistente de Producción: Sol Tejerina Ayudante de Producción: Toribio Montes de Oca BTS & Stills: Mateo Caride Colorista: Alejandra Lescano Actuan: Duki, Ysy A, Neo Pistea, Sofia Meson, Ronny Keller, Ricardo Ibarra Agradecimientos: Cabe Bossi, Pol Bossi, Bebu Navarro, Pato Carrera, Nacho del Campo, Gonzalo Insua, Benjamin Arena Play Video Play Video Federico Luis Tachella La Siesta Trailer (2019) Dirigido por Federico Luis Tachella Escrito por Rita Pauls · Federico Luis Tachella Producido por Patricio Alvarez Casado · Armando Bo · Martín Busel Colaboración Artística Rita Pauls Con Graciela Ninio · Yonathan Toledo · Rita Pauls · Jacqueline Golbert Director de Fotografía Marcos Hastrup Director de Arte Nicolás Tavella Editor Tomas Murphy Dirección de sonido Martin Porta · Ezequiel Martinez Vestuarista Gina Garbini Elenco: Federico Milman Alberto Falsetti Marta Medrano Rosaura Baduña Cecilia Roberts Betty Ruzo Laura Amato Roxana Broggi Mercedes Oviedo Daniel Figueroa Casting Pablo Lapa y Sofía D’Amelio Jefe de Locaciones Diego Ledesma Asistente de producción Alejo Duclós Foquista Santiago Conde Asistente de cámara Sabrina Choque Gaffer Juan Pedriel Eléctrico Blas Lafontaine Sonido directo Pablo Bustamante Maquillaje Fabiana Molina Colorista Alejandra Lescano Mezclador Roberto Migone VFX Tino Lopez Foley Lula Meliche Diseño Gráfico Emiliano Konoba · Mariano Colombarini Rebolucion · Alfavision · Soundrec · Ratio VFX · Saigon · Portaestudio Play Video Play Video Moonlight Barcelona DON PATRICIO - En otra Historia [VIDEOCLIP] Directed by La Favorita DoP by Marcos Hastrup Color by Maria Nualart Grading Studio: Moonlight Barcelona Postproduction Studio: Moonlight Barcelona Play Video Play Video Leonardo Hermo Los que vuelven Trailer LQV Los que vuelven Ajimolidofilms DIr:Laura Casabe Guión: Laura casabe Lisandro Bera Producción: Alejandro Israel DIreccion de fotografia y camara :Leonardo Hermo Arte: Marina Raggio Vestuario: Gustavo Alderete Maquillaje: Elizabet Gora Sonido: Santiago Fumagalli (ASA) Música: Leonardo Martinelli Montaje: Daniel Casabe y Luz Lopez Mañe DIT: Nehuen Rojas Cámara: leonardo hermo Foquista: Sebastian Arzeno Segundo asistente de cámara: Nehuen Rojas Gaffer: Cristian fernandez Jefe de eléctricos: Marcelo Lomuto Grip: Julio Horacio Noguera Colorista: Maximiliano Pérez Coordinador de VFX: VFX: Mario Martinelli, Fernando Jersonsky Cámara: Sony venice Formato: 2:40 Lentes: Leica R Play Video Play Video Carlos Ritter Nissan Olympics Dir. Rodrigo Saavedra Prod. Co. Landia SP Agency. Lew Lara Post. Clan Brazil Shot in Alexa XT Pro Res 4444 - Lenses Hawk C- Series & Zoom Angenieux Anamorphic - Live Grade on Set. Scorio Arm - Hexacopter w/ Black Magic Pocket 10mm - Steadicam Eric Catelan AC Cris Conceiçao + Crew Gaffer Paulihno Nunes + Crew Grip Mineiro + Crew Play Video Play Video Carlos Ritter Sonho de Valsa Dir Enrique Escamilla Prod Co. Delica Agency Widen+Kennedy Client Sonho de Valsa Shot in Alexa XT ProRes 4444 - Lens Hawk C- Seires Anamorphic - Color @Serginho de Psyco Color Play Video Play Video Leonardo Hermo Zona Jobs – Hard Worker Direction : Diego N. Irigoyen Productora: Agosto