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Telephoto Century Return

Set Cooke Panchro S2 The cream of the cream Regarding old optics, they are the Cooke Speed Panchro, a generic nomenclature that serves to accommodate both the series made up of Cooke S2 optics (with designs from the 1930s) and Cooke S3 (designs from the 1950s). And it is that many surviving games contain optics of both series, since of the S3 series only an 18mm and a 25mm were manufactured, so that all the focal lengths except these must be completed with the S2 series. Originally, the sets came with an Arri Standard mount, but the best way to use them today is using series rebuilt by Century Optics or Van Diemen, with PL mounts and mechanisms (focus rings and diaphragm) similar to those of modern optics. The images produced by these series can vary greatly depending on the different focal points that make them up, but in general one can expect enormous softness, warm colors and many spectacular sparkles, bearing in mind that there may be notable differences within a same game in terms of tonal reproduction, sharpness, resolution and contrast that affect the consistency of the images of a project. Of course, their aberrations and "flaws" are magnified at maximum aperture, where they can offer an image of distortions reminiscent of anamorphic. So for any project that needs high consistency or great image quality –a priori– they don't seem like the most suitable games; On the other hand, if you are looking for an organic, vintage or old-fashioned image, or even favor actors/actresses with lenses that offer a very natural diffusion or softness, the Speed Panchro is a more extreme version of the subsequent Cooke creations and could turn out wonderful. Movies shot with Cooke Speed Panchros Marie Antoinette (Marie Antoinette, dir. Sofia Coppola, DF. Lance Acord) An Education (Life Teaching, dir. Lone Scherfig, DF. John de Borman) Spartacus (Spartacus, dir. Stanley Kubrick, DF. Russel Metty) A Clockwork Orange (A Clockwork Orange, dir. S. Kubrick, DF. John Alcott) Midnight in Paris (Midnight in Paris, dir. Woody Allen, DF. Darius Khondji) 12 Monkeys (12 Monkeys, dir. Terry Gilliam, DF. Roger Pratt). Return

GL Optics Leica R Super Speed Base Lens: Leica R 19mm T2.8, 28mm T2.8, 35mm T1.4, 50mm T1.4, 80mm T1.4, 135mm T2.8 Extended 330 degree focus rotation accept 19mm Stainless steel PL mount All lenses cover 8K sensor Full frame, VV 95mm diameter of front Lens ring 77mm inner threading 6063 aluminum rehoused Lens body Re-designed Lens focus/aperture system 0.8module Gears Return

apogee Lens Design: Prime Optical format: spherical Image circle: FF Mounting: PL Diameter (ø): 95 Maximum aperture: F2.0 canon mount adapter included APOGEE 28 Focal Length: 28mm Aperture – F/2.0 Light transmission (45mm image diagonal) – T / 2.3 Closest Focus Distance: 0.15m / 0.5ft Elements / Groups – 12/7 Distortion – 14% (s35mm – 7%) Weight: 1.3kg APOGEE 38 Focal Length: 38mm Aperture – F/2.0 Light transmission (45mm image diagonal) – T / 2.3 Closest Focus Distance: 0.15m / 0.5ft Elements / Groups – 10/6 Distortion – 5% Weight – 1.0kg APOGEE 58 Focal Length: 58mm Aperture – F/2.0 Light transmission (45mm image diagonal) – T/2.2 Closest Focus Distance: 0.45m / 1.5ft Elements / Groups – 6/4 Distortion – N/A Weight: 0.75kg APOGEE 88 Focal Length: 88mm Aperture – F/2.0 Light transmission (45mm image diagonal) – T / 2.3 Closest Focus Distance: 0.65m / 2.1ft Elements / Groups – 11/7 Distortion – -4% Weight – 1.0kg APOGEE 38 mm Longitud focal: 38 mm Apertura – F / 2.0 Transmisión de luz (diagonal de imagen de 45 mm) – T / 2,3 Distancia mínima de enfoque: 0,15 m / 0,5 pies Elementos / Grupos – 10/6 Distorsión – 5% Peso – 1.0kg APOGEE 58 mm Longitud focal: 58 mm Apertura – F / 2.0 Transmisión de luz (diagonal de imagen de 45 mm) – T / 2.2 Distancia mínima de enfoque: 0,45 m / 1,5 pies Elementos / Grupos – 6/4 Distorsión – N / A Peso: 0,75 kg APOGEE 88 mm Longitud focal: 88 mm Apertura – F / 2.0 Transmisión de luz (diagonal de imagen de 45 mm) – T / 2,3 Distancia mínima de enfoque: 0,65 m / 2,1 pies Elementos / Grupos – 11/7 Distorsión – -4% Peso – 1.0kg Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Opening T2.8-22 Weight | kg 5 minimum focus 30cm Size 25cm Diameter 114mm Return

Telephoto Century Return

Telephoto Century Return

Spherical Lenses Carl zeiss super speed mk2 de s16mm Carl zeiss MK2 6 S16 Zoom Juego de lentes Vintage Super 16mm. Set de 5 Lentes. Montura PL y dentado 0.8mm. Tienen el mismo aspecto óptico que muchos conocemos y aman de Zeiss Super Speed es inherente a la versión S-16 de estos ahora legendarios lentes. Son nítidos, incluso abiertos de par en par, tienen menor contraste, excelente enfoque de cerca, tienen hermosos destellos de lente y, como ventaja adicional, prácticamente no tienen respiración de enfoque. Estas lentes tienen un atractivo toque que te ayudará a aprovechar al máximo el formato S-16. Y sin olvidarse de ese hermoso bokeh triangular que los hace tan característicos. Este set también va a ser acompañado por una lentilla Century aspheron x0.6 que convierte al 9.7 en un 5.7 Set de 4 lentes: 9,5/12/16/25 Montura: PL Cobertura: s16mm Diametro frontal: 80mm Apertura: T1.3 Enfoque mínimo: 20cm | 25cm | 70cm Peso: 0,63kg | 0,9kg Spects - Canon 7-63mm T2.6 S16 Zoom Aca les traemos un clásico de la década de los 90 el Zoom 7-63mm T2.6 S16 tiene el tono cálido característico de canon con unos flares similares a los del zoom canon k35. Un lente muy versátil con un diafragma 2.6 y un rango muy apropiado para para documentales y producciones en general. Diametro frontal 95 mm Spects - Lentes bolex 16mm montura C Los Bolex primos con montura C 10, 16, 25, 50, 75 Bolex USA. Primos vintage Kern-Paillard Switar C-Mount son unos lentes muy especiales, generan un look vintage muy característico de los años 70. Son perfectos para cámaras Ikonoskop, Digital Bolex, BMPC o cualquier cámara micro 4/3 con un adaptador. Todo el iris manual, gran aspecto vintage. Cinco Primes incluidos: 1x 10mm t1.6 1x 16mm t1.8 1x 25mm t1.5 1x 50mm t1.4 1x 75mm t1.9 Spects -

Anamorphic Lenses Visitá nuestro canal de YouTube! P+S TECHNIK KOWA EVOLUTION 2X Lens Set: 40mm, 50mm, 75mm, 100mm A genuine vintage 70s anamorphic look with low contrast and warm tint. Front anamorphic lenses are based on the original Kowa optical design. They produce a bokeh effect and some horizontal flares, classics of the format. Constructed in a compact, lightweight housing with modern cam-actuated internal focusing mechanics. The focus throw has changed significantly compared to the originals. Evolution lenses offer a 200° angle on the focus ring and 100° on the aperture ring. The 0.8 mod gears are in the same position as the gear rings throughout the assembly, which integrates well in a modern production environment. The 80mm front diameter is perfect for clip-on matte box use and a 77mm thread has been added for screw-in filters. That makes the Evolution 2X anamorphic lenses ideal for handheld cameras, Steadicams, or drone cameras. Spects Videos Hawk C Series – Anamorphic. Lens Set: 35mm f2.4 – Diameter 140 50mm f2.2 – Diameter 110 75mm f2.3 – Diameter 110 100mm f3.2 – Diameter 110 150mm f3.6 They are the first Hawk brand lenses, manufactured in the 1990s. Small and rough, they produce a very good image, maintaining the classic blue flare characteristic of anamorphics. Spects Videos Zoom Angenieux 50-500 The Angénieux 50-500mm HR T5 offers long range with a medium body. It has a good aperture of f5 and weighs 4.7 kilos. Of excellent quality and very reliable, this zoom is the one that best adapts to anamorphic, in all the Indian filmography. Reconditioned and adapted by Duclos Lenses. Spects Videos

Cooke S2 set Return

Telephoto Century Return