Telephoto Century Return

P+S Technik KOWA Evolution 2X Lens set :40mm, 50mm, 75mm, 100mm PL mount 2x anamorphic 40mm T 2.4 / CF 3' 50mm T 2.4 / CF 3' 75mm T 2.5 / CF 3' 100mm T 3.2 / CF 5' All lenses 80mm diameter Compact and lightweight, ideal for gimbals Return

CanonZoom35 Return CanonZoom35 Return

Telephoto Century Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Opening T2.8-22 Weight | kg 5 Size 25cm Weight | kg 5 Ø frontal 104 mm 104 mm 104 mm 104 mm 104 mm 104 mm 104 mm 104 mm Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Return

Telephoto Century Return

GL Optics Leica R Return

Filters Glimmer Glass 1/2, 1, 2 Helps smooth skin details, blemishes and wrinkles. It also produces brightness and a slight reduction in contrast, achieving an "ethereal" image. Density 1 provides more softness than ½, but less than 2. From the subject's perspective, the filter appears to glow, giving models confidence, enhancing better performance by actors. Videos Hollywood Black Magic 1/4, 1/2, 1, 2 Combining the best attributes of Schneider HD Classic Soft and Black Frost, these filters remove unsightly blemishes and wrinkles while providing an airbrushed texture to the image. A wide range of diffusion can be selected: from slightly softening the contours to removing several years of the age of the person being filmed. By being able to soften highlights, it is possible to control exposure while maintaining rich blacks and colours. Videos Glimmer Glass 1/2, 1, 2 Helps smooth skin details, blemishes and wrinkles. It also produces brightness and a slight reduction in contrast, achieving an "ethereal" image. Density 1 provides more softness than ½, but less than 2. From the subject's perspective, the filter appears to glow, giving models confidence, enhancing better performance by actors. Videos 4x5.6 Glimmer glass 1/2, 2 Glimmer glass 1, 2 Hollywood Black Magic 1/4 ,1/2 , 2 Hollywood black magic 1/4 White Promist 1/2, 1,2 Nd ir 12, 15, 18, 21 nd 6 y 9 80d Polarizadores x2 Pola Pola ir True pola Enhacing Coral 1/2 1,2,3,4,5,7,8 Low contrast 1,2,3 Coral 6 Filtros 138mm Polarizador 138 4x5.6 Blacksatin 1/4 Blacksatin 1/8 Blacksatin 1/2 Blacksatin 1 Degrade ND soft 0.3 Degrade ND soft 0.6 Degrade ND soft 0.9 Set ND Schnieder 3 ,6 , 9 Hollywood Black Magic 1/8 Clear 4x5.6 6x6 Sofnet 2 Degrade ND6 Línea Suave Degrade ND6 Linea Dura Degrade ND9 Línea Suave Rojo Degrade Línea Suave Rojo Degrade Línea Dura Rojo Degrade Línea Suave – Rojo más intenso Azul Degrade Azul Degrade Línea Dura Coral 3 Degrade 85ND3 Degrade Sunset 1 Magenta Degrade Línea Suave Magenta Degrade Línea Dura 4x4 Black promist 1/8,1/4 , 1/2, 1 Pola 4x4 Nd 6 Clear 4 1/2 Set 85 nd,3,6,9 x2 Set nd 3,6,9 x2nd6 x2 85 Magenta Yellow Red 1 Orange Orange 21 Orange 15 Green 13 Red23 x3 Clear x2 uv x2 80 A x2 flb FLD Green degrade Blue degrade Polarizador Difusores 4 1/2 FOG 1 /4 , 1/2 1 ,2,3 x2 Fog 2 x2 Fog 1 Low contrast 1,2 3 White promist Soft Net Star Filter 4 x2 destello 4 Soft net blanco 1, 2 Soft net negro 1 ,2,3 Soft contrast 1 , 2 Set net piel 2 Soft net 3 negro Clear Circulares 4 1/2 Deg clear blue 2 soft Deg clear verde 2 soft Deg clear rojo 2 soft Deg clear MAGENTA 2 Deg clear nd6 3x3 Clip On Arri para dos filtros | Reducción 80mm Tiffen ND 3, 6, 9 Diff 1, 2 – Similar Soft fx Enhancing (Resalta el rojo) Set Coral ¼, 1, 2, 3, 4, 5, 6, 7, 8 (Cálidos) Set White Promist ½, 1, 2, ,3 (Estalla los blancos) Set 85b ND 3, 6, 9 Set 85nd 3, 6, 9 Lentilla aproximación 1, 2, 3 Close up 1/2 138mm Close up 1 138mm 812 (Cálido amanecer) Low Contrast 1/ 2/ /3 Soft Net Fog 1, 2 80 Genéricos plástico 3×3 80c, 81c, 82c 80d 82 a 81 a 82 b 81ef Amarillo Rojo Azul Verde Sunset degrade Amarillo Rojo degrade Amarillo degrade Ocre Set de Filtros 138

ANAMORPHIC Anamorphic lenses or anamorphic lenses are those that began to be used in the 1950s in cinema in order to obtain a more panoramic image. When we speak of a more panoramic image, we refer to an image that has a greater angle of vision laterally. Anamorphic lenses are lenses that act in a very specific way to give that cinematic look. What they do is they horizontally compress the image, so it's much more square than it will be later, and then it uncompresses on edit (stretches horizontally). In this way, a much more stretched image is achieved than the one that would be obtained with spherical lenses. See lenses SPHERICAL Spherical lenses are a type of lens whose curvature is not part of a sphere, thus eliminating spherical aberrations from the lenses. The purpose of a spherical lens is to simplify the construction of an objective. Aspherical lenses are very useful on very bright lenses, wide angle lenses and high quality compact zoom lenses. A single spherical lens can replace multiple spherical lenses, which in turn leads to simplified lens design. See lenses

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Return