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Telephoto Century Return

Telephoto Century Return

Set Cooke Panchro S2 The cream of the cream Regarding old optics, they are the Cooke Speed Panchro, a generic nomenclature that serves to accommodate both the series made up of Cooke S2 optics (with designs from the 1930s) and Cooke S3 (designs from the 1950s). And it is that many surviving games contain optics of both series, since of the S3 series only an 18mm and a 25mm were manufactured, so that all the focal lengths except these must be completed with the S2 series. Originally, the sets came with an Arri Standard mount, but the best way to use them today is using series rebuilt by Century Optics or Van Diemen, with PL mounts and mechanisms (focus rings and diaphragm) similar to those of modern optics. The images produced by these series can vary greatly depending on the different focal points that make them up, but in general one can expect enormous softness, warm colors and many spectacular sparkles, bearing in mind that there may be notable differences within a same game in terms of tonal reproduction, sharpness, resolution and contrast that affect the consistency of the images of a project. Of course, their aberrations and "flaws" are magnified at maximum aperture, where they can offer an image of distortions reminiscent of anamorphic. So for any project that needs high consistency or great image quality –a priori– they don't seem like the most suitable games; On the other hand, if you are looking for an organic, vintage or old-fashioned image, or even favor actors/actresses with lenses that offer a very natural diffusion or softness, the Speed Panchro is a more extreme version of the subsequent Cooke creations and could turn out wonderful. Movies shot with Cooke Speed Panchros Marie Antoinette (Marie Antoinette, dir. Sofia Coppola, DF. Lance Acord) An Education (Life Teaching, dir. Lone Scherfig, DF. John de Borman) Spartacus (Spartacus, dir. Stanley Kubrick, DF. Russel Metty) A Clockwork Orange (A Clockwork Orange, dir. S. Kubrick, DF. John Alcott) Midnight in Paris (Midnight in Paris, dir. Woody Allen, DF. Darius Khondji) 12 Monkeys (12 Monkeys, dir. Terry Gilliam, DF. Roger Pratt). Return

Cooke S2 set Return

Angenieux zoom Director: Rodrigo Saavedra DF: Carlos Ritter Producer: Landia SP Agency: Lew Lara Shot with Alexa XT Pro Res 4444 Hawk C- Series & Zoom Angenieux Anamorphic Live Grade Lenses in Set. Scorio Arm Hexacopter w/ Black Magic Pocket 10mm Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Focal distance 25-120 Apertura Ø frontal foco mínimo Peso | lbs/kg Longitud 18mm 25mm 35mm 50mm 65mm 85mm 100mm 135mm 180mm T1.3 T1.3 T1.3 T1.3 T1.3 T1.3 T1.3 T1.3 T1.3 80mm 80mm 80mm 80mm 80mm 80mm 80mm 80mm 80mm 12" / 31 cm 12" / 31 cm 12" / 30.5 cm 18" / 45.7 cm 3.16' / 96 cm 0.7 kg / 1.2 kg 0.7 kg/ 1.2 kg 0.7 kg/ 1.2 kg 0.7 kg / 1.2 kg 0.7 kg / 1.2 kg 0.7 kg / 1.2 kg 0.7 kg / 1.2 kg 0.7 kg / 1.2 kg 0.7 kg / 1.2 kg 3.7" / 94 mm 4" / 10.2 cm 4" / 10.2 cm 4" / 10.2 cm 4" / 10.2 cm 4" / 10.2 cm Montura Arri PL Engranaje de iris de fábrica Rotación de enfoque completa Apertura máxima T1.3 Diámetro frontal: 80mm Rotación anillo de foco: 270º Cobertura de imagen: S35mm | 5k Peso: 0.7kg | 1.2 kg cada uno aprox Return

Cooke S2 set Return

Canon introduces the first lens macro zoom lens in the world for 35mm cameras Return

Telephoto Century Return

Hawk C Series Return

GL Optics Leica R Super Speed Base Lens: Leica R 19mm T2.8, 28mm T2.8, 35mm T1.4, 50mm T1.4, 80mm T1.4, 135mm T2.8 Extended 330 degree focus rotation accept 19mm Stainless steel PL mount All lenses cover 8K sensor Full frame, VV 95mm diameter of front Lens ring 77mm inner threading 6063 aluminum rehoused Lens body Re-designed Lens focus/aperture system 0.8module Gears Return

Telephoto Century Return