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Apogee Spects

Lens Design: PrimeOptical Format: SphericalImage Circle: FFMount: PLDiameter (ø): 95Maximum aperture: F2.0CANON EF MOUNT ADAPTER INCLUDED!


APOGEE Lens System Technical Information

APOGEE28
Focal Length – 28mmAperture – F/2.0Light Transmission (45mm Image Diagonal) – T/2.3Minimum focus distance – 0.15m / 0.5ftElements/Groups – 12/7Distortion – 14% (s35mm – 7%)Depth Of field ; ‘Shallow Field’Weight – 1.3kg

APOGEE38 Focal Length – 38mmAperture – F/2.0Light Transmission (45mm Image Diagonal) – T/2.3Minimum focus distance – 0.15m / 0.5ftElements/Groups – 10/6Distortion – 5%Depth Of field ; ‘Shallow Field’Weight – 1.0kg

APOGEE58
Focal Length – 58mmAperture – F/2.0Light Transmission (45mm Image Diagonal) – T/2.2Minimum focus distance – 0.45m / 1.5ftElements/Groups – 6/4Distortion – N/ADepth Of Field : ‘Normal’Weight – 0.75kg

APOGEE88
Focal Length – 88mmAperture – F/2.0Light Transmission (45mm Image Diagonal) – T/2.3Minimum focus distance – 0.65m / 2.1ftElements/Groups – 11/7Distortion – -4%Depth Of Field : ‘Deep Field’Weight – 1.0kg

Telephoto Century

Telephoto Century


 

La Verdad
Productora: Baraka Cine
Directora: Paula Luque
Director de Fotografía: Marcelo Iaccarino

Director de Fotografía: Diego Poleri


 

Carl Zeiss Contax Full Frame

* Lente base: Zeiss Contax Primes

* Super speed set  28 mm F2 (Hollywood), 35 mm F1.4, 50 mm F1.4, 85 mm F1.4, 100 mm f2, 135 mm F2

* montura PL en aceroinoxidable

* Todaslaslentescubren el sensor de 8K FF y VV

* 100 mm de diámetro del anillo de lente frontal

* Cuerpo de lente de aluminio

Anamorphics

P+S Technik  KOWA Evolution 2X Anamorphic lenses

Lens Set: 40mm, 50mm, 75mm, 100mm

Spects   Video

The kowa  Evolution 2X anamorphic lenses are based on the original optical designs of the vintage and rare Kowa Anamorphics and the P+S TECHNIK lens rehousing  40mm, 50mm, 75mm and 100mm.

The look and bokeh of the Evolution 2X lenses match the genuine anamorphic look of the KOWA Anamorphic lenses.

The optical design of the Evolution 2X lenses is based on their original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.

The lenses are built in a compact, lightweight housing with modern cam driven internal focus mechanics. The focus throw has changed significantly compared to the originals. The Evolution lenses offer a 200° angle on the focus ring and a 100° on the aperture ring. The mod 0.8 gears are in the same position of the gear rings throughout the set which integrates them well into a modern production environment”

The 80mm front diameter is perfect for the use of a clip-on matte box and a 77mm thread was added for screw-in filters. That makes the Evolution 2X ideal anamorphic lenses for handheld, Steadicam or drone camera work.


 

Hawk C Series – Anamorphic.

hawk 1

Spects    Videos     

The first set of the Hawk lenses, the C series were developed in the 1990s. Small and rugged, they produce a very nice image while maintaining the classic blue flare of anamorphic lenses.

35mm f 2.4 – Diameter 140
50mm f 2.2 – Diameter 110
75mm f 2.3 – Diameter 110
100mm f 3.2 – Diameter 110
150mm f 3.6


 

Zoom Angenieux 50-500 – Anamorphic

             

Spects      Videos

The Angénieux Anamorphic 50-500mm HR T 5 offers a wide range with a medium-sized body, a good aperture, and a medium weight of 10.5 lbs. It is a high-quality and reliable zoom lens well-suited for a variety of shots.
Overhauled and Converted by Duclos Lenses.

Spherical

Canon FD

 

This is a complete set of 1970s Canon FD primes rehoused.  This VINTAGE-FD PL Mounted Prime lenses are some of the most advanced lens designs after more than 40 years from the first manufacturing date. 

The Canon FD ASPH. Lenses incorporate a floating element design and spherical glass for sharp images, and close range correction.                 

These lenses are very similar is character, personality, and sharpness to the famed Canon K35 prime lenses, but the Canon FD lenses offer 330 degree focus throw and superior sharpness at the wide aperture settings. OOF highlights and bokeh are extremely pleasing, while offering an outstanding sharpness throughout the frame. The Canon VINTAGE-FD lenses help digital sensors achieve character and a “look” that is flattering to flesh tones and OOF objects.

  • Base Lens: Canon FD L-
  • optex  20mm  T2.8 , GL 24mm T1.5, GL 35mm T2.1, GL 55mm T1.3, GL. 85mm T1.3, optex 100mm T2, optex 135mm T2.
  • Extended 330 degree focus rotation.
  • stainless steel PL mount.
  • All lenses cover 8K sensor.
  • 95mm diameter of front Lens ring.
  • 77mm inner threading.
  • 6063 aluminum rehoused Lens body.
  • re-designed Lens focus/aperture system.
  • 0.8 module Gears.

Apogee RGO

Spects

Welcome to our Apogee RGO lenses with a rehouse of the famous Helios 58mm f2.   

With a classic smooth image of the low contrast of vitage lenses.  The Apogges are a work by Richard Gale that focused on investigating and modifying hybrid of Soviet-era and modern glass elements.  Made to order, these handmade lenses  produce a pleasing balance between contemporary sharpness and the grit and flares of the anamorphic and vintage lenses we have come to love. 

  •  Historic optical elements 
  • Classical lower contrast rendering 
  •  Ultra responsive to flaring 
  • Interchangeable aperture disks (ovals, soft focus, defocus distortion, apodised, translucent etc) 
  •  Unorthodox optical designs 
  •  f/2.0 aperture throughout the range 
  •  Full Frame / VV coverage (designed for a 43.5mm image diagonal) 
  • Pleasing balance of resolution and character

GL OPTICS Leica R Super Speed Set rehoused.
PL Mount.

Spects      

Vintage Leica R lenses represent a unique combination of sharpness and smoothness, with a creamy out of focus and classic brand bokeh. The basic set is made of the best LEICA “R” glass – 19MM T2.8 V2 / 28MM T2.8 / 35MM T1.4 / 50MM T1.4 / 80MM T1.4 FE / 135MM T2.8 – The serial numbers of these 3,400,000 or later. Made in Germany.


Set Cooke Speed Panchro S2 (1960s). 
PL Mount.
Frontal Diameter 80.

Spects      

Re-adapted with PL mount, focus ring and 80mm diameter. Used in Spartacus (dir. Stanley Kubrick, DF. Russel Metty), A Clockwork Orange (dir. S. Kubrick, DF. John Alcott), Midnight in Paris (dir. Woody Allen, DF. Darius Khondji) and 12 Monkeys (dir. Terry Gilliam).

  • 18 mm f 2.2, cf 30cm – feet 1 , Pl mount diameter 80mm
  • 25 mm serie 2 f 2.2, cf 40 cm , Pl mount diameter 80mm
  • 32 mm f 2.3, cf 50 cm –feet 1.5 , Rehouse p+s technik diameter 80mm
  • 40 mm f 2.3, cf 50cm – feet 1.5 ,  Rehouse p+s technik diameter 80mm
  • 50 mm f 2.3, cf 1 mt – feet 3 ,   Rehouse p+s technik diameter 80mm
  • 75 mm f 2.8, cf 1.30 mt – feet 4 ,  Pl mount  diameter 80mm
  • 100 mm f 2.8, cf 1.40 mt – feet 4.5 , Pl mount  diameter 80mm

Carl Zeiss CONTAX Full Frame

Spects   

We are continuing to expand our selection of full frame / large format vintage cinema lenses.
The  Full frame Zeiss “CONTAX” lens set creates the perfect balance of sharpness and vintage personalities. The “CONTAX” line represents the very best Zeiss glass of its generation, with sharp, clear, highlights and crystal pin point focus. The overall line up is well-rounded by super speed focal lengths.  28mm F2 (Hollywood), 35mm F1.4, 50mm F1.4, 85mm F1.4, 100mm f2 , 135mm F2. And use the same glass and the coating than the Carl Zeiss super speed 1.3 lenses. This exquisite set was conform by choosing each lens very carefully and tested before re housing,

All lenses match perfectly in color and definition !

The Super Speeds and the Contax Zeiss lenses deliver an image that strikes the right balance between giving you contrast and detail while still showing some “character”. They can be just as sharp as modern lenses if they are stopped down a bit.


Canon Introduces the World´s First Zoom Lens with Macro for 35mm Motion Picture Cameras

Spects    

The Canon K-35 Macro Zoom Lens K5 x 25 is a  five-times macro zoom lens, which was jointly developed by Canon Inc: and the Association of Motion Picture and TV Producers Inc., of the United States.

With a 25-120mm focal length range, this world’s first macro zoom lens for 35mm motion picture cameras and is available in PL mount .

By using macro photography function, the specialized techniques such as multi-point focus and super close-ups with wide-angle effects are possible.

Additionally, use of the optional Range Extender X1.6 , the focal length range can be extended from 25-120mm to 40-192mm

This lens is unique in a few ways: it has a very fast stop, T2.8, and remains sharp with beautiful falloff wide open- This lens is sharp wide open with beautiful look and colors.

The lens has a built in macro function which brings close focus in about 2-3 inches at 25mm focal length. 

This lens has beautiful colors and a big flare, like its prime K-35 lenses.


Canon FD 50 mm f / 3.5 S.S.C. Released in 1979, rehoused by OPTEX.

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Spects

Canon FD 50mm f/3.5 macro is the second and last 50mm macro lens for the
FD mount.

This lens has extremely high resolving power and is used for
photography at very close distance. It offers a magnification ratio to 1:2 (half
life-size) with magnifications marked from 1:10 on the focusing ring.


Zooms

300 tele Killar f5.6, cf 3mts.

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Created in the 1980s, this lens is the perfect match for the  Cooke S2 and the Schneider.


1200, Century f6.8, cf 20mts.

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Pics   

Developed to film rocketry and military explosions from long distances, the 1200 Century was used in films such as 48 Hrs. (1982, Dir. Walter Hill, DF. Ric Waite) and Top Gun (1986, Dir. Tony Scott, DF. Jeffrey Kimball), as well as in various car advertisements.